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Saturday, November 23, 2024

Manifesting Our Cultural Superman: Truth, Justice, and the American Way

 


In 1978, Hollywood not only asked us to believe a man could fly- they gave audiences a directive. You will believe a man can fly. Superman came to movie screens across the United States and inspired viewers, young and old, with a character who at that point had been emblematic of our cultural values for 40 years. 

Belief is a tricky thing, though. Superman himself had trouble breaking into the pages of comic books because he seemed too unbelievable; leaping tall buildings in a single bound or traveling faster than a speeding bullet was considered too far of a stretch by the men at the top. Believing in the impossible requires a level of intellectual bravery, or, paradoxically, childish credulity. Samuel Taylor Coleridge wrote about this as a type of "poetic faith"- that the "semblance of truth" could be conveyed through supernatural or otherwise fantastical means by simply enjoying the impossible narrative for its own sake. When we willingly suspend disbelief, we become privy to ephemeral truths about human nature, about society, and about the world in which we live. All of the best speculative fiction, even if it's considered low brow by literary standards, illustrates the usefulness of actively letting go of critical faculty- taking a leap, into the air, and flying, as an act of faith- and thus being rewarded not only through the power of entertainment and novelty but by the inherent meaning and truth conveyed.

Truth, however, is another sticky concept. Christopher Reeve, in his role as Superman in the aforementioned movie, uses the hero's old motto of "Truth, Justice, and the American Way". We see here how intimately Superman is tied to ideas about the U.S., what it stands for, or perhaps what it should aspire to. Veering away from suspension of disbelief for a moment, this motto traces its roots to the second World War, for Superman's radio show in an effort to support American troops overseas. It again became used by George Reeves in the 1950s TV series, this time as Cold War rhetoric. These are true statements, and the more cynical among us bristle at the hokeyness the tagline embodies while simultaneously being tangential to propaganda. If we employ our willingness to believe, without any umbrage or analysis, we may find that the simplicity of these basic values as stated have a kind of beauty that is often absent in popular discourse. 

Truth is not only sticky, it's very difficult to face. It's not terribly surprising that Superman has been increasingly considered corny in recent decades, or that belief in American ideals has become such a quagmire. People often rightly point out that the men who founded our nation, and spoke of freedom, largely owned human beings for the purpose of forced labor. Many examples from history directly contradict the ideals expressed in the founding documents, and it feels increasingly childish or naive to equate "the American Way" with Truth or Justice. Perhaps, however, a childlike view - or a suspension of disbelief, cynicism, and anger - is helpful in believing we can get there. In recent years, Superman has been instead saying "Truth, Justice, and a Better Tomorrow"- and one could argue that the sentiment is precisely the same. The Truth that the founding fathers were promoting was held by them to be self-evident. One might say even a child could tell you what freedom is, what equality looks like, and what's fair. For reasons seem to be intrinsically part of human nature, the basic values of human dignity and equality are reasoned away as flights of fancy. 


There's nothing controversial or even political about Truth. If we accept for our purposes that by "men" the founders used an archaic form of "human", we see by these self-evident truths that we are all equal, and each of us has the right to Life, Liberty, and the Pursuit of Happiness. There are no qualifiers in this vision of what it means to be American. It should be obvious, this Truth, or self-evident as we interact with others in the world- and yet for so many, the premise seems laughably alien. This is, perhaps, where Justice comes in. Prior to, during, and after the founding of these United States the original ideals have consistently failed to manifest in a multitude of ways. In other ways, though, this grand titanic experiment has gradually arced toward its goal. If we are to exercise our muscles in disbelief suspension, through intellectual honesty or childish optimism, we can get to a place where despite all evidence to the contrary such lofty ambitions are achievable. We can believe in a Better Tomorrow, we can believe that it's the same as the American Way, just as we can believe a man can fly.

The ugly truths and injustices of our modern world may lead us to ennui, despair, and hopelessness. It must not, however, lead us to concede defeat prematurely. There is still goodness in the world, and even if it seems less self-evident when one looks at the news or scrolls through social media, we are all equal parts of the equation and in the same boat. Xenophobia, dehumanization, and bigotry seems so obviously anathema to the very specific principles set forth in the Constitution, and yet many wave American flags while spewing such rhetoric. There's something to be said for the fact that Superman stood for these ideals even though he was not only an immigrant from another nation, but from another planet. We seem to be stuck in a binary mindset, one rife with contradiction and logical fallacies. Whether we consider the America of the idea space to be just as corny and fictional as Superman, or whether we believe in an alternate factual interpretation of traditionalism from the founders, we are becoming increasingly at odds not only with each other but also with our humanity. If we don't want the Earth to go the way of Krypton, we should do everything in our power to bring these founding principles to bear.


   As a character, Superman was born out of what became known as the Golden Age of comic books. In a literary sense, the concept of the Golden Age relates to a time before humanity suffered, a paradise that once existed and was lost. Occasionally, examples of this literary device depict a Utopian future. Myriad dimensions of this kind of idea manifest in our discourse regularly; people may speak of the "good old days", or become nostalgic for simpler times. If we are to concern ourselves with Truth, however, we realize that this nostalgia relates to a past that never was. The above image seems like a bittersweet relic of a bygone era, but worse than that, it's a message of hope from nearly three-quarters of a century ago that seems to have burned out instead. The 1950s were a complicated time, and there are plenty of reasons Superman's message here didn't match reality then- but our Man of Tomorrow was forward thinking, and many of the inequalities present at that time gradually met with Justice. Now, a quarter of the way through the 21st century, this golden utopian America seems just as fictional, cornball, and archaic as Superman himself. But Superman never dies, even despite stories in the comics and the movies; similarly, the defiant and indomitable spirit of Life, Liberty, and the Pursuit of Happiness can never be crushed.

The point here is that we should not discard our ideals simply because they are impossible. Real Truth exists despite our inborn need to dissect it and twist it and ultimately cast it aside. The America that is analogous to Truth and Justice, that truly embodies such values, exists in the imaginal realm and is still worthy of our aspiration. It also lives in our symbols- the flag, the bald eagle, and Superman- and can be manifested with these forms. There are stories about real-life encounters with Superman, and other comic characters, existing as a sort of tulpa to the writers and artists who bring him to life on the page. Alvin Schwartz, who wrote Superman comic strips for nearly 20 years, writes about his encounters with such manifestations in his book An Unlikely Prophet- and ultimately realizes that Superman is only one half of the character. The other half is Clark Kent, the mild-mannered reporter. While none of us can claim to fly, bend steel or have x-ray vision we can all relate to Kent. Whether we choose to believe claims such as those made by Schwartz in his book, we can nevertheless extrapolate from the idea of thought forms becoming real that the impossible may not be as far away as we think. In spite of the fact that we've never quite seen the kind of Golden Age or self-evident truths in action the way we would wish to, we must nevertheless hold space for them. We keep them close to our hearts, the way Clark wore his costume under his shirt.


Perhaps some symbols, archetypes, and forms outlive their usefulness eventually. Perhaps there are ages and epochs where the gods reign supreme and others where humanity lifts itself up. We can't wait for the deus ex machina, the blue and red bullet from the sky to come and rescue us all from the horrors we've created. But if we believe a man can fly, if we believe that a better tomorrow can be today, if we can suspend our disbelief enough to make room for such naive sounding things as Truth or Justice or the American Way, then maybe we can manifest our cultural Superman as we live our Clark Kent lives. As we look up in the sky, we can channel hope. The fight is not over, and likely it never will be. We fight in spite of it all in the hopes of that impossible future which rests entirely on poetic faith, that there will come a time when fighting is no longer necessary.

Who cares if it's corny? Believe.